Whicker: Clayton Kershaw’s force field repels the bad vibes

LOS ANGELES >> This would be an example of what happens when vibes collide.

The Dodgers were starting Clayton Kershaw on Wednesday night. But they were also facing a left-handed pitcher, Colorado’s Tyler Anderson.

Those are equal and opposite forces. Would Dodger Stadium explode?

Not really. Matter defeated anti-matter, 4-2, which is to say Kershaw raised his record to 3-1 and lowered his ERA to 2.34.

Manager Dave Roberts found it important enough to use Kenley Jansen to get the final four outs, even though it’s April 19. The Dodgers had lost three consecutive games, felt they had a chance to win with Kershaw and didn’t want to put too much strut in the Rockies’ step. Colorado came into Wednesday with a 10-5 record.

“We know we can do it (against lefties),” Dodgers outfielder Scott Van Slyke said afterward. “We’ve taken our walks, put together some good at-bats, gotten people into scoring position. It was just nice to break through.

“As a team, well, every team has its struggles. I’m sure if you talk to the guys who won the World Series last year, they’d probably tell you there were some things they could do better. Every team has its thing. We just need to continue to stick with approach and our work ethic. Tonight when we got up 4-1, I got the feeling we were going to do everything we could to win this game.”

Van Slyke hammered Anderson’s 2-and-2 pitch to left field for a home run in the Dodgers’ second, his first since last June 15. That tied it 1-1 after Colorado had produced only one run out of a bases-loaded, no-out situation in its first inning.

With two on, Nolan Arenado singled to right. Third base coach Stu Cole, respectful of the Yasiel Puig factor, held up Charlie Blackmon. At that point you almost expected Kershaw to escape without a blemish, but after he struck out Carlos Gonzalez he gave up a one-out sacrifice fly to Mark Reynolds. Then Gerardo Parra struck out looking.

Chris Taylor, called up after Logan Forsythe went on the disabled list, led off the climactic fifth with a double, and Anderson threw poorly on Kershaw’s bunt to keep it going. Kike Hernandez’s double led to the three-run inning, and Jansen got a two-on, two-out fly ball from Reynolds in the eighth.

The Dodgers are hitting .218 against lefties, but four National League teams are worse. They hit .214 last year, and no NL team was worse. The reason you’re hearing rumors about Milwaukee’s Ryan Braun, other than the fact there’s a lot of rumormongers out there, is that Braun is a .337 hitter against lefties for his career with a 1.038 OPS.

And, yeah, most of the left-handed pitchers in the league are pretty good. You wouldn’t think this should be such a hole in the Dodgers’ game. But Justin Turner hits 50 points lower (.250 to .300) against lefties for his career, and Puig hits 20 points lower. It helps when the Dodgers throw a left-hander that nobody can hit.

Van Slyke was asked to describe the feeling of a Kershaw day, when the winds are a little softer, and nothing but good songs come on the radio, and the stoplights change when you pull up.

“I don’t really know what to compare it to,” he told a couple of writers. “I guess it would be like watching your favorite reporter ask a question of somebody. I mean, there’s an art to doing that.

“You have an appreciation for what he does. It heightens everybody’s focus. That’s why he is who he is. He brings out the best in everybody.”

Except Kershaw didn’t bring out the best in himself, not on the exacting scale that he has established. “I think he’d tell you he didn’t really have his rhythm consistently,” Roberts said. “He labored at times.”

Kershaw gave up two leadoff doubles in the middle innings, escaping one jam by striking out Blackmon on a curve, but giving up an RBI single to rookie Stephen Cardullo, who had come in when Gonzalez was hit by a pitch.

Kershaw offered no argument when Roberts removed him, after 97 pitches and three trips through the lineup. A lot of that was respect for the Rockies’ production, too.

“They’ve played well before in April and May,” Van Slyke said. “In recent years they’ve had some injuries, and it’s tough to play in that ballpark, but they’ve got a really good bullpen now and their starters are better.”

There will be other collisions between polar opposites, but baseball physics usually abides by Kershaw’s Law.

20.04.2017No comments
‘Free Fire’ takes aim at a whole warehouse of genre expectations

Stupid violence is sent up quite smartly in “Free Fire.”

It would be too much to call it a return to form for director Ben Wheatley and his frequent screenwriting collaborator, Amy Jump, but it is a nice move back to coherent storytelling. While the couple’s last two films, “High-Rise” and “A Field in England,” justifiably have their admirers, those projects’ cussed narrative incontinence felt like abstract detours from Wheatley’s sly, well-plotted earlier genre subversions, such as “Sightseers” and “Kill List.”

“Free Fire,” packed with chaos and surprises though it is, always makes a pulpy kind of sense while delivering barrages of mean-spirited entertainment and a consistent critique of thoughtless mayhem.

The real convention-challenging here resides in the visual plan – plan in this case being a word one is tempted to put quotation marks around or add “if you can call it that” to. Shouldn’t do that, though, because there really is a highly sophisticated shooting strategy that just happens to look like no one was sure where to point the camera.

More on that in a moment, but first the setup:

In 1970s Boston, a group of Irish Republican Army operatives arrange to buy a cache of automatic weapons from a South African arms merchant. The deal goes down in an abandoned waterfront warehouse that still has a lot of junk lying around.

The Irish group, composed of both Northern and Southy blokes, includes Cillian Murphy’s nice guy terrorist Chris, grumpy old Frank (Wheatley regular Michael Smiley) and junkie screw-up Stevo (Sam Riley). “District 9’s” Sharlto Copley – who else? – plays the South African Vernon, and his crew boasts the unfortunate membership of Harry (Jack Reynor), who easily loses control and has personal issues with a guy on the IRA team.

The American go-betweens are no-nonsense businesswoman Justine (Brie Larson) and sarcastic preppy Ord (Armie Hammer). When things head south and bullets start ricocheting around the large, enclosed space, each person takes a side on whichever faction seems most convenient for survival. Neither the terrorists nor the gun-runners can rely on Justine or Ord’s loyalty, of course. But as wounds proliferate and the firefight gets reduced to a game of crawling, then slithering, no one can be sure who on their team has their back – or might shoot them in it, either.

The viewer will be similarly disoriented. Usually, in primarily single set bloodbaths – “Reservoir Dogs” comes to mind – the cinematic rule is to carefully define everyone’s position and its relationship to others’ at all times. Wheatley’s go-to camera guy, Laurie Rose, doesn’t seem as concerned with that as he is with just prowling around to capture the coolest, most painful-looking mayhem, while Wheatley and Jump, who edited the film, deconstruct any notion of geographical consistency whenever they can.

Kind of amazingly, they prove that that stuff doesn’t matter. Especially when you’ve got strong, amusing characterizations and reams of nasty, clever dialogue to burn, but also by demonstrating there’s more than one way of making filmic space the star of a movie. It all plays much more smoothly than these aesthetic strategies, by any right, should. And by the end, “Free Fire” has spread out a wickedly entertaining takedown of idiot violence and challenged deeply embedded assumptions of how movie gunplay can be done (and I’ll use the ironic quotation marks here) “good.”

‘Free Fire’

/*/*/*1/2
Rated R: For violence, language, drug use
Starring: Brie Larson, Cillian Murphy, Armie Hammer, Sharlto Copley
Director: Ben Wheatley
Running time: 1 hr. 25 min.
Playing: In wide release

20.04.2017No comments
Danner puts on show for scouts, helps Huntington Beach earn spot in Boras semifinals

SAN JUAN CAPISTRANO >> It is not every day that a high school baseball game features three potential first-round picks in the MLB Draft.

Fans could have played “Count the Scouts” as more than two dozen came to the Boras Classic at JSerra High on Wednesday to watch Notre Dame of Sherman Oaks’ Hunter Greene and the Huntington Beach duo Nick Pratto and Hagen Danner.

Notre Dame only mustered two hits in an 8-2 loss to JSerra in a quarterfinal game. Danner struck out 10 and gave up one hit in six shutout innings.

Danner also had a home run to lead off the sixth and added an RBI single in the seventh.

“I’ve seen him throw better, but he was good today,” said Greene of his Team USA U-18 national teammate and fellow UCLA signee.

Greene was Danner’s final strikeout victim as Danner’s curveball, along with his fastball staying in the 90s, baffled Notre Dame. He held the Knights (14-4) without a hit until Carter Kessinger singled up the middle in the fifth.

Danner responded by striking out the next three batters.

“His curveball was working and it had a lot of bite to it,” said Notre Dame’s Logan Pollack, who struck out in the second. “He threw a great game.”

Huntington Beach (17-3), ranked No. 1 in Orange County, will take on Santiago of Corona in the semifinals on Thursday at 6 p.m. at Mater Dei High.

Kessinger held Huntington Beach to one hit through four innings. In the fifth, Trevor Windisch hit an inside-the-park home run and the Oilers added two runs on an error and a single by Ben McConnell.

Notre Dame committed three errors, two in the first inning. Miscommunication on a dropped fly ball allowed Pratto to reach third in the first inning and a wild pitch brought him home for the Oilers’ first run.

“We just didn’t play our type of baseball,” Notre Dame coach Tom Dill said. “To beat a team like that with a pitcher like that, you have to keep it close.”

Pollack hit a two-run home run off reliever Nate Madole, his second of the tournament.

Notre Dame will play at Mater Dei at 3 p.m. Thursday with Cole Dale getting the start.

Also in the Boras Classic:

Chatsworth 8, JSerra 7, 8 innings: Chatsworth (21-3) rallied in the seventh with two runs to force extra innings and then got a game-winning two-out single by Brandon Bohning to win the consolation bracket contest. Mackenzie Lomas had the game-tying single after Josh Medina had a sacrifice fly.

 

20.04.2017No comments
David’s Bridal Fall 2017

“We were trying to find the key trends and really start to refocus all the brands so they’re very targeted,” said Dan Rentillo, David’s Bridal’s vice president of product design, of the exclusive fall offerings from Truly Zac Posen, Wonder by Jenny Packham, Melissa Sweet, David’s Bridal, Galina Signature, Oleg Cassini and Cheers Cynthia Rowley. The tightly curated offering featured one to two new styles from each designer, with trends ranging from pastel colors, casual halter styles and classic silhouettes, to fuller princess gowns for a bit of drama.

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Edie Parker Brand and 1stdibs in Partnership

1stdibs is partnering with Edie Parker for a selection of exclusive pieces that the vintage and fine arts dealers’ site will begin selling on April 20.
Edie Parker is a brand of vintage-inspired clutches and handbags and was founded in 2010 by designer Brett Heyman, a former public relations executive at Gucci and, in 2014, was a finalist for the CFDA Vogue Fashion Fund award. The clutches are inspired by the acrylic bags made in America during the Fifties and Sixties. Her bespoke collection, which first became available in May 2012, is handcrafted in America. In addition to acrylic, fabrications now include 18-karat gold-plated metal, exotic skins, embroidery, leather and velvet.
Pieces made available on the 1stdibs site range from $1,095 to $1,695 for the clutches. Also included are acrylic trays, boxes, placemats and coasters.

An Edie Parker clutch with crossbody chain on 1stdibs for $1,695. 
Courtesy Photo

The site also sells other items in the fashion and accessories categories, areas that founder and chief executive officer David Rosenblatt is building up, although most items are antiques for the home. Present offerings include a rare Art Deco oval cut 9.83 carat diamond engagement ring for $650,000; a rare matte Porosus crocodile Hermès Birkin 40 bag

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Chip & Pepper to Be Managed by Lyft Brands Group

California lifestyle brand Chip & Pepper is poised to make a comeback with a new global wholesale strategy.
Lyft Brands Group LLC and California Lake Capital have inked a deal to globally launch and revitalize the premium denim brand.
Under the agreement, Lyft Brands acquired the exclusive rights to lead and manage the Chip & Pepper relaunch, in partnership with California Lake Capital and Domac LLC, which jointly acquired the Chip & Pepper brand from its cofounders in 2010. Chip & Pepper was founded in 1985 by identical twins Chip and Pepper Foster, who hail from Winnipeg, Canada. The brothers still maintain a minority stake in the brand but are no longer involved.
During the most recent management, Chip & Pepper had an exclusive denim deal with Belk, which just ended its three-year deal.
The Fosters launched their first line in 1985, selling T-shirts out of their truck in Venice Beach, Calif. Focused on skate and surf lifestyle apparel, the brand pioneered the premium denim market in the late Nineties and grew into an operation generating more than $200 million in sales. Chip & Pepper was inspired by the Foster brothers’ summers on California’s trendy beaches.
Sara Fernstrom, chief executive officer of Lyft Brands, said

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Australian Designers to Be Showcased at Pitti Uomo

SYDNEY — Australia will be the guest nation at the 92nd edition of Pitti Immagine Uomo, which is due to run from June 13 to 16 at the Florence Fortezza.
The initiative is to be formally unveiled on May 24 by Pitti Immagine chief executive officer Raffaello Napoleone at Sydney restaurant Bondi Icebergs, the Italian men’s wear trade show said here Wednesday.
Seven designers have been confirmed for the showcase: Sydney brands Ten Pieces, Double Rainbouu, Commas and Chris Ran Lin, as well as Melbourne’s Ex Infinitas, Strateas.Carlucci and sunglasses designer Sener Besim.
“We are honored to present a special showcase ‘Guest Nation Australia’ at the next edition of Pitti Uomo in June,” Napoleone said. “We have been strengthening our relations with this country for a while, working closely with the Australian institutions promoting fashion abroad. Australia is becoming one of the most interesting — and quickly growing — places in fashion and creativity today. We want to highlight the essence of Australian design and lifestyle, with a selection of cutting edge fashion designers and brands, within a global platform as Pitti Uomo and its audience of international top buyers, media and fashion key players.”
For several years, the Fondazione Pitti Immagine Discovery has used the trade show

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Dior Fetes Tokyo Boutique With Couture Show and Men’s Presentation

TOKYO — Dior has gone big in Japan. Back-to-back couture and men’s events drew local celebrities and fashion insiders to celebrate the brand’s largest store in the country, which opens Thursday.
Maria Grazia Chiuri, the house’s artistic director for women’s, showed her first couture collection for Christian Dior in the Japanese capital Wednesday. And while the collection had been revealed in Paris in January, there were also eight looks designed specifically for the occasion that had never been seen before.
“I think it’s very important to show couture in Japan, because couture is very close with craftsmanship, with our identity, because in any case Dior is a couture brand,” Chiuri said. “And I think here there is an audience that appreciates this value. Couture, I think, is very close with Japan. Because in any case Japan has a sense of the tradition, of heritage. And so I am sure that they appreciate that we show couture.”
Chiuri said she was inspired by house founder Christian Dior’s attraction to Japan, which she saw throughout the archives, including in a cherry blossom print dating to 1953 and a jacket designed to be worn over a kimono.
“I went in the archives, and I found many references

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