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Five things a Californian should know about rent control

One way or another, two words are likely to dominate the complicated politics of California’s housing crisis in 2018: rent control.

Next week state lawmakers will hear a proposal from Assemblyman Richard Bloom, Democrat from Santa Monica, that would allow cities to dramatically restrict what landlords can charge tenants year-over-year. The bill couldn’t even get a hearing last year amid intense opposition from landlords.

But looming over legislators’ heads this time around is a potential ballot initiative supported by tenants’ rights groups that would do much of the same. If the bill stalls, experts say there’s a good chance you’ll see rent control on your November ballot.

What should your average Californian know about a rent control debate poised to gobble up so much political oxygen? Here are five key points:

1. Under current state law, a wide swath of California’s housing stock can’t be placed under rent control.

Rent control or rent stabilization policies come in different shapes and sizes depending on the city you may find them in. Some place a hard cap on how much a landlord can raise rents year over year, others may be indexed to inflation. Currently 15 California cities have some form of rent control on the books, including major population centers like San Francisco, Los Angeles and Oakland.

But current state law prohibits any locality in California from imposing rent control on properties built after 1995. That’s the year the state passed the Costa-Hawkins Act, which also prohibited cities that already had rent control laws on their books from updating them for new properties. Thus in Los Angeles. rent control only applies to buildings constructed before 1978, and in San Francisco, rent control only applies to buildings built before 1980.

A bit of background: After some cities responded to tenants’ concerns about rising rents in the 1970s and 80s by adopting rent control ordinances, real estate interests first tried to stop them in the courts. Unsuccessful there, they focused on the Legislature. Bills to preempt local rent control would routinely pass the Assembly and then die in the Senate, held up by then-Senate President Pro Tem David Roberti, a West Hollywood Democrat. The year after he was termed out of office, Costa-Hawkins passed by a one-vote margin.

Both Bloom’s bill (as it is currently written) and the initiative would fully repeal Costa Hawkins, massively expanding the number of properties on which cities could impose rent control. That includes single-family homes, which Costa-Hawkins also excluded from rent control protections.

2. Most economists–left or right-leaning–think rent control is bad.

Economists have a hard time agreeing on most things. But regardless of partisan leaning, most economists would say rent control is not great policy. Even prominent progressives like Paul Krugman have expressed opposition to it.

Rent control is quite literally the textbook example of a “price ceiling”– undergrad economics textbooks will often feature problem sets with questions about what’s wrong with rent control. The classic microeconomic downsides include killing the incentive to build more housing, causing landlords to neglect maintenance and repair, and inflated prices for non rent-controlled units. A poll of ideologically diverse economists found that only 2 percent agreed with the statement that rent control had had a positive impact on housing affordability in cities like New York and San Francisco.

3. Scholars in other fields are generally bigger fans. And if you took away rent control, the results could be disastrous for affordability

Many urban planners and other scholars studying gentrification and displacement cite rent control as an effective policy to keep long-time residents in the communities in which they live and work. And because rent control has become so deeply embedded in the housing markets of some cities, taking it away—no matter how economically inefficient it may be—could spell disaster for current residents.

The Bay Area Council Economic Institute—a business-aligned policy think tank—ran a simulation of 20 policy changes that could improve or worsen housing affordability in San Francisco. The policy that would make things worst? Getting rid of rent control, which they found would plunge 16,000 households into an unaffordable housing situation.

4. One of the best studies of rent control shows that it primarily benefits older households at the expense of households without rent control.

There actually aren’t a ton of empirical studies looking at how rent control plays out in practice. But a groundbreaking Stanford University study released last year on San Francisco’s rent control experience has shed new light on who wins and who loses from the policy.

Looking at a roughly 20-year span of proprietary rental and migration data, the study authors found that rent-controlled tenants age 40 or over saw average savings of nearly $120,000 from rent control; by contrast, younger rent-controlled tenants only saved an average of $40,000.

That’s because younger households were more likely to move out of rent-controlled apartments because of various life milestones—a new job, a new family, buying a house in the suburbs, etc.

5. The study also found that rent control paradoxically fueled gentrification, as landlords converted units to condos.

The Stanford study also found that rent controlled buildings were 10 percent more likely to be converted to a condominium or some other type of non-rental property, as landlords searched for ways to evade the law. Those units being drawn off the market parlty drove up rental prices for tenants searching for apartments in San Francisco. In this sense, the study authors argue, rent control paradoxically contributed to the well-publicized gentrification the city has experienced over the past few decades.

While the study also found that rent-controlled tenants were more likely to stay in the city than tenants without rent control, the gap may not be as wide as you think. After 10 years, about 11 percent of tenants without rent control were living at the same San Francisco address.Tenants with rent control? Thirteen percent stayed put.

How to participate in the debate: The rent control bill will be heard by the Assembly Housing and Community Development Committee on Thursday, Jan. 11 at 9 a.m., and will include a public comment period. You can watch the hearing—which should be pretty lively as far as legislative hearings go—here.

CALmatters.org is a nonprofit, nonpartisan media venture explaining California policies and politics.  

05.01.2018No comments
‘Game of Thrones’ won’t return with season 8 until 2019

HBO announced Thursday that “Game of Thrones” Season 8 won’t arrive until sometime in 2019.

Nothing more definite than that was revealed. Season 7 aired this past summer, while previous seasons had aired during spring seasons. The network had said 2019 was a possibility because of the long production schedule.

The new season has already been filming for several months. Series star Sophie Turner had previously hinted to a number of publications that production was going slowly.

The final season will only consist of six episodes, and many fans were hoping it would air sometime this year.

The finale of Season 7 – the most-watched episode in series history – left a lot of plot points hanging, including the fate of one of the dragons that became part of the White Walkers army.

05.01.2018No comments
Nathan Jenden Returns to DVF as Chief Design Officer and VP, Creative

That didn’t take long.
Diane von Furstenberg said Thursday that Nathan Jenden has been named chief design officer and vice president, creative. He returns to the brand where he worked for 10 years until 2011. In his role, he will oversee all design for the brand.
Jenden takes over duties formerly handled by Jonathan Saunders, who resigned his post as chief creative officer last month.
“It is with joy and pride that I look forward to welcoming Nathan back at DVF. Nathan is an extremely talented and technically skillful designer who also has a great gift at surrounding himself with young, emerging talent. He totally embraces the DVF woman and the brand enjoyed its greatest commercial success during his tenure,” von Furstenberg said.
Jenden will report to von Furstenberg and DVF’s board. His first collection will be for fall 2018, and will be shown in February.
Saunders had been in the role since May 2016 and was in charge of all product categories, store design, web site design, a new corporate brand identity and marketing including advertising campaigns. He stepped down from the brand days after von Furstenberg said she plans to sell a stake in her fashion company. She plans to hire Michel Dyens

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05.01.2018No comments
FIT Foundation Names Six New Directors

The Fashion Institute of Technology has named six new directors to the FIT Foundation. Each director will serve a three-year term.
They are Geoffrey Greenberg, cofounder and copresident of Just Play LLC, a toy company; Douglas Hand, a fashion lawyer and a founding member of the law firm Hand Baldachin & Amburgey LLP; Megan Salt, director of marketing and brand communications for Amazon Fashion; Robert Stock, who designs under the Robert Graham men’s wear label; Nadja Swarovski, head of corporate communication and design services for her family business, Swarovski, and Jerry Vittoria, president of Firmenich’s fine fragrances worldwide.

The Feldman Center at FIT. 
Courtesy shot

The FIT Foundation, a tax-exempt organization, serves as an advisory and fund-raising body to FIT. The foundation’s role is to build and secure long-term giving and directors provide philanthropic leadership by raising funds and educating others about charitable giving opportunities.
The six new directors bring the total number of directors to 25. The others are Jay Baker, Pamela Baxter, Joy Herfel Cronin, Diane D’Erasmo, Abbey Doneger, Morris Goldfarb, Jill Granoff, Sam Haddad, Jane Hertzman Hudis, Laurence. C. Leeds, Jr., Fern Mallis, Kevin Mansell, Athanasios (Tom) Nastos, Elizabeth Peck, Roberto Ramos, Bruce P. Rockowitz, Peter G. Scotese, Gary Sheinbaum and J.

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05.01.2018No comments
Jewelry Robbed from the Doge’s Palace in Venice

THE ITALIAN JOB: Venice’s Palazzo Ducale museum, or Doge’s Palace, was robbed on Wednesday morning, during visiting hours.
The theft took place during the last day of the “Treasures of the Mughals and the Maharajas: the Al Thani collection” exhibition, which opened back in September. Retracing five centuries of Indian jewelry art, the exhibit was showcased for the first time in Italy displaying nearly 300 pieces from the precious collection assembled by His Highness Sheikh Hamad bin Abdullah Al Thani, a member of the Qatari royal family.
According to Italian media reports, two unidentified thieves stole a valuable brooch and a pair of earrings, forcing the glass display in which they were showcased. The duo blended in with the rest of the visitors and had about a minute to exit the venue after the robbery before the alarm went off. The space was then closed to permit further investigation, but the thieves were already on the go.
Italian authorities have started investigations, analyzing the images from the security cameras in the area, which show a person operating directly and putting the stolen jewelry in his pocket while another acted as the lookout, covering him.
The value of the robbery has not been quantified yet,

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05.01.2018No comments
Andrea Crews to Stage Fashion Show Process As Performance

PERFORMANCE: Andrea Crews founder Maroussia Rebecq is taking the concept of backstage access to new heights. The Paris-based designer, who launched her label in 2002 as an art project geared around upcycling vintage garments, plans to stage the preparations for her fall 2018 co-ed show as a performance, titled “How to Make a Great Fashion Show.”
From today through Jan. 17, Rebecq, along with the members of her collective, will hold castings and fittings, shoot the brand’s look book and hold the final hair and makeup tests in the Le Cœur gallery in Paris’ Marais district. The actual show will be held on Jan. 20 during Paris Men’s Collections, with the location yet to be confirmed.
“This period, from now through to the show, is a very intense period where we’re building the story of our collection. This year we wanted to make an event out of it,” said Rebecq. “It will also allow for some distance from what I do. Preparing for a show can be both a highly stressful and beautiful experience, and for me gathering everyone together in a performance will make it more of a joyful, playful event.”
The designer, who is 40 but sees herself “very much as a Millennial,”

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05.01.2018No comments
Vejas Kruszewski Tapped as Creative Director of New Leather Brand

PARIS — Landing the top designer gig at a heritage fashion house may be the goal for many of the industries’ rising talents, but 21-year-old Canadian wunderkind Vejas Kruszewski has taken another tack by signing on as creative director of Pihakapi, a brand from Italian leather apparel producer Pellemoda.
A by-appointment presentation of the brand’s debut fall collection is set to take place during Paris men’s fashion week later this month.
Kruszewski, who has been working closely with Pellemoda for his own experimental label, Vejas, said accepting the role felt like “a natural progression, or at least a choice that made sense,” adding: “I liked that it was a little unconventional, the fact that a manufacturer wants to have its own brand….What I have always liked about making clothes is all of the processes related to the manufacturing, and they have the breadth of expertise because of the clients that they produce for.”
Founded in 1979, Pellemoda is said to produce leather apparel for brands including Dior, Coach, Céline, Balenciaga and Calvin Klein.
For now the self-taught designer is putting his brand — launched in 2015 at age 18 — on hold. The label counts around 30 wholesale clients including Browns and Harvey Nichols in

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05.01.2018No comments