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Frumpy Middle-Aged Mom: Why my dogs aren’t my kids. And you won’t see them in the grocery store, either.

I have two dogs, but allow me to be more specific: I’m a dog owner, not a “pet parent.” They’re my animals. Not my “fur babies.”

If they were my human children, I’d be expecting them to find my eyeglasses for me when they’re actually on the top of my head, ask for money every time I open my wallet and show me how to do utterly obvious things on my iPhone while rolling their eyes in disgust.

Spoiler alert, but I don’t bring my dog to the opera, either. I recently saw a dog at the L.A. Opera and I don’t mean a trained service animal, either. Sadly, it was only in passing, so I didn’t get a chance to inquire if this Pomeranian appreciated the soprano or thought she might have been off key during the final aria. If I’d brought my dog, he might have started howling at that point, possibly leading to a lucrative contract. Need to ponder that one.

I particularly appreciate those pet parents who bring their fur babies to the grocery store, and then put them in the top basket of the cart as they wheel around shopping. Yeah, that’s sanitary.

If you work for a grocery store, tell me this: Do you ever confront those folks? Do you ever suggest that maybe the pooch could stay home for an hour? What kind of rules are you dealing with?

I suppose maybe the dogs are just there to look for the Bowser Beer. Seriously, my friends, you can’t make this stuff up. You can actually buy non-alcoholic beer. For your pooch. You can get a six-pack for a mere $26.99. But it would be oh-so-hard to choose between the “brown beefy ale” and the “pork pug porter.”

I know I’m going to get hate mail from those of you who need for health reasons to bring Fluffy and Spike to the mall, so bring it on. Email me at mfisher@scng.com and tell me why your dog needs to be with you in Albertsons.

If you have a convertible, you’ve probably already bought them some “doggles,” right? To protect their tender eyes while riding to the store? You haven’t? What a shame. They need that UV protection and anti-fog lenses too.

Yes, I’m a scoffer. Maybe it’s because both of my parents came from farms, where animals were spelled L-I-V-E-S-T-O-C-K.

You could have a dog on the farm, if he also herded the cattle and chased off intruders. And you could have cats in the barn, as long as they ate mice. Everything needed to have a purpose on the farm.

But there just wasn’t much of a role in our family for ornamental animals that didn’t pull their weight.

Nowadays, because my daughter, Curly Girl is a dog-maniac, I have ended up with not one but two dogs, and let me tell you, neither one of them earns his keep. I’ve had long, frustrating discussions with them about this point, and we just go around and around. They insist that they have jobs, and I don’t appreciate all the work they do around here.

Buddy the Wonder Dog is a long-haired Jack Russell Terrier, aka Parson Russell Terrier, that we acquired from the pound 10 years ago. These dogs were originally bred to hunt foxes for British aristocrats, so, obviously he fits right into our suburban tract neighborhood. He probably thinks I should buy him some doggles.

Buddy 005
Buddy the Wonder Dog at the beach. Photo courtesy of his owner, Marla Jo Fisher.

He claims his job is to be the household greeter, sort of like the one you always find at Walmart, and I’m sure, the next time a burglar comes in our front door, Buddy will jump him and give him big, sloppy kisses.

Buddy’s biggest claim to fame was the time he kept getting into the neighbor’s yard by using an old rubber swimming pool piled on the side of our house as a trampoline, and jumping over the concrete wall. Nowadays, he’s more sedate, and mostly just roams around being the big brother to our newer dog, Lil Wayne.

About 18 months ago, we also got Lil Wayne from the pound and, as one reader called him, he’s a “generic white dog” who weighs 14 pounds and is some sort of vaguely poodlish mix. The kind, unfortunately, you have to pay to get groomed.

I saw a woman walking a pair of dogs who look exactly like Lil Wayne around Lake Huntington awhile back and she told me her dogs are Maltipoos, so it’s possible that’s what he is.

Especially when I read that Maltipoos can be very hard to house train. I’ll spare you the details on that one, except to say we used to wash a lot of comforters around our house. Nowadays, he’s mostly decided to share his scent with the world at large, I’m happy to say.

Lil Wayne has explained to me that his job, per the breed website, is to be a “companion dog,” which consists of jumping into my lap every time I sit down and looking up beseechingly.

He used to lick us nonstop 24 hours a day, and it only took 18 months of daily, concerted training – “No licking” – involving pushing him down every time he licked to get him to stop.

Lil Wayne, dog of Frumpy Middle-aged Mom. Photo courtesy of his owner, Marla Jo Fisher
Lil Wayne, dog of Frumpy Middle-aged Mom. Photo courtesy of his owner, Marla Jo Fisher

Buddy clearly has a Napoleon Complex, because his main interest in life is trying to hump enormous dogs at the dog park, by which I mean only their legs, because he’s too small. It’s like watching a dinghy try to get at the U.S.S. Midway. Then, they just shake the one leg to get rid of him, and walk away.

However, this infuriates the violated pets’ owners, who glare at me because they only approve of dog behavior that fits polite human convention.

This is why I never take Buddy to the dog park anymore because, other than his aforementioned activity, the only thing he wants to do there is patrol the perimeter, looking for a way to escape the hellish prison of his life.

Pretty sure that’s why I can’t qualify as a “pet parent.” I don’t take my animals to the dog park (though occasionally Curly Girl does.) They misbehave at the dog beach, so they don’t go there, either. And you’re sure as heck never going to find them at the mall.

I don’t let them sleep with me, because they hog all the covers. My friend Teri claims that alone makes me an animal abuser. Luckily, my son Cheetah Boy lets them sleep in his bed.

And, even if I won the lottery, I wouldn’t be buying them any ZinFanTail dog wine for $12.99 a bottle. Sorry. There is a wine budget in my house, but its for my exclusive use only. And I’m too cheap to spend $12.99 a bottle, anyway, even on myself.

14.02.2018No comments
U.S. judge allows disbarred Irvine attorney involved in bank scheme to help ailing wife before going to prison

SANTA ANA – Declaring that he “doesn’t have the heart” to send a man to prison while his wife struggles with Alzheimer’s disease, a federal judge delayed the sentencing of a former lawyer involved in a multi-million-dollar bank-fraud scheme.

U.S. District Judge David O. Carter gave Bruce Haglund, 65, of Irvine more time to spend with his ailing wife who depends on him, and time for their children to come up with a plan to care for her and for the family to sell their home.

Haglund, who is now disbarred, has admitted to being involved in a $5 million scam targeting investors across Southern California.

“I’m prepared to pay the price for those mistakes,” Haglund told the judge during a Monday hearing at the federal courthouse in Santa Ana. “My only hope is I can serve my wife in her dire circumstances.”

Carter made clear, however, that Haglund will ultimately spend time in federal prison. The judge indicated that he is weighing sentencing Haglund to 18 to 27 months.

“I think you are genuinely remorseful,” Carter told Haglund. “I have no doubt about that. But you are going to prison.”

Prosecutors say the scam was led by Francis Wilde, who operated IDLYC Holdings Trust. Investors in the scheme were promised huge returns but instead lost millions.

Those running the scheme either spent the investors money on themselves, federal prosecutors said, or used the money from newer investors to pay off older investors.

Wilde was sentenced last year to 51 months in federal prison, while co-defendant Mark Gelazela was sentenced to 41 months. Earlier this week, Steven Woods, another co-defendant, was sentenced to 366 days in prison.

Haglund’s attorney, Dyke Huish, said his client did not organize the scheme or market it to potential investors.

Haglund’s role, his attorney said, was to lend credibility with his background as a lawyer. It wasn’t until later that he realized what was going on, the attorney said.

“He found himself in the water, it was boiling and he did not get out,” Huish said. “His mistake, his crime, is that he should have said, ‘No,’ but he didn’t.”

Haglund’s attorney estimated that his client earned less than $400,000 from the scam. Haglund likely won’t be able to pay restitution in the case, the attorney said, because he is already facing tax liens against his home and a U.S. Securities and Exchange Commission civil judgment.

The defense attorney during Monday’s hearing showed a video of Haglund’s wife struggling to recall the names of her family members or her own birth date. He noted that Haglund is her “only anchor,” and that “without him, she is lost.”

Judge Carter waved off Huish’s initial suggestion that Haglund serve a sentence of home confinement that would turn into prison time if his wife passed away.

Instead, the judge agreed to delay the sentencing, setting a June 11 court date to discuss the issue further.

Federal prosecutors, who are asking for a 27-month prison sentence, did not object.

14.02.2018No comments
J.Mendel RTW Fall 2018

For fall, Gilles Mendel looked back to “retro Hollywood” — Louise Brooks or a young Katharine Hepburn — while still giving glamour a modern take in both day and eveningwear. The palette, which was influenced by the autumnal paintings of Tom Thomson, felt like a fresh breath of crisp, fall air with its rich purples, maroons, burnt oranges and dusty blues. 
“[There is a] contrast between the day, the girl is wearing cropped pants and turtleneck and very beautiful furs that are very substantial, to this kind of feeling [referencing a maroon burnout velvet dress] with dresses that are very sleek but the materials are really refined,” Mendel explained. For day, velvet corduroy and patchwork fur and leather coats made fantastic toppings to the tonal underpinnings. Evening held an abundance of Mendel classics: feather-trimmed, hand done intricate lace sequin dresses, airy burnout organza gowns and sequin embroidered offerings that were paired with one-of-a-kind vintage framed fur evening bags. Two evening frocks in tulle, one an off-the-shoulder style with pleated layers in burnt orange, the other a dusty blue trumpet gown, captivated the back room of Ladurée Soho, where the presentation was held. Overall, the collection was beautiful and oh so refined.

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Sally LaPointe RTW Fall 2018

For fall, Sally LaPointe embarked on a sort of space odyssey. A hyper-chic one.
During a backstage interview before the show, the designer said that this season she was inspired by the sense of excitement for the future the moon landing generated among people in the Sixties. “After that, people started dressing for the future,” she said.
Luckily enough, LaPointe stayed away from any futuristic designs à la Courrèges and instead embarked on a personal journey. Her inspiration was a difficult one to translate into clothes but she managed to give life to a great combination of classic silhouettes, metallic shades and an overall sense of optimism, which looked appealing and elegant.
Rather than space invaders, her creatures were sophisticated women who like to mix and match familiar and unexpected elements.
The lineup ranged from traditional and pretty cashmere coats, cozy sweaters embellished with fur details, beaded fringe and feathers, to more extravagant maxi silver puffers and gold silk crushed-velvet styles. They included a jumpsuit with a plunging V-neck and a suit combining tapered pants with a Nineties’ elongated blazer. In a homage to her Space Age inspiration, shimmering micro and macro sequins in charming moonlight shades were embroidered on both mannish pleated pants

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Badgley Mischka RTW Fall 2018

The takeaway from Mark Badgley and James Mischka’s fall runway was an injection of ease into their high-glam universe. The designers travel the world to engage with clients, who tell them they need special pieces that can take them from day to dinner without the fussiness of an overwrought gown. They want to feel empowered, they want to feel beautiful; most importantly, they want to feel at ease.
The insouciance of a tailored wool plaid coat bathed in paillettes set the tone wonderfully. It was special enough to attract the interest of the brand’s clientele and styled over sleek separates, it had an ease and a wearability. Colors evolved from rich crimson and moody tones to an explosion of white; the designers cited Caravaggio’s paintings as inspiration for “creating” light by way of sequins and jewel-encrusted necklines. A leopard tweed inflected with baby paillettes was challenged to be evening-appropriate when cut into loose trousers. Streamlined silhouettes with minimal embellishments, like the aforementioned gowns with beaded necklines or a sleek jumpsuit with delicate fabric at the bust, leaned toward the youthful side of chic.
Make no mistake, there were exquisite gowns galore — from a leopard print swathed with crystals along the bodice

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Marissa Webb RTW Fall 2018

Amid the New York Fashion Week noise and state of flux, Marissa Webb understands the value in authenticity and delivering a consistent message. She’s more inclined to have honest conversations with customers over social media rather than putting on a show that doesn’t translate into sales. Her customers value the openness — often suggesting restaurants and asking for fashion advice — no doubt gravitating towards her brand of feminine-inflected men’s wear, too.
Her fall range began with a sketch of a rugby-inspired top fashioned in lace. It was the first idea out and last piece finished, and representing the brand’s ethos best. Mannish in shape yet delicate in its sheerness, it paved the way for other twists on Ivy League fashion. Sporty stripes, topcoats, corduroy pants and collegiate lettering with Seventies brooches made ample appearances. A great pair of jeans featured a sporty stripe made by ripping off the tape after an acid wash. Being Webb, there was a fair amount of floral and updated military. There were a couple of great jackets — one with a single sleeve, the other accented with faux fur. For girls on the move, these were great options to look put together and comfortable. “I

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Jeffrey Dodd RTW Fall 2018

The work of Italian artist Paolo Scheggi and the neon lights of Italian discotecas influenced Jeffrey Dodd’s colorful collection of ready-to-wear and shoe offerings. Dodd’s take on relaxed and refined eveningwear referenced the artist’s work though layering, like sheer black overlays on a white tank tunic and shorter tank dress. The club look manifested itself via psychedelic marbled evening dresses and tops, done in both sequins and silk. New for the season was Dodd’s custom hardware adornments fastened on the zipper of a sleek, black leather jacket or the belt of a tailored coat. Dodd also continued to expand into elevated denim, like a black denim jacket or sleek black jeans. Dodd’s expanded shoe offering ranged from sharp-pointed metallic bootie to fur adorned white pumps.

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Melissa Shoes Taps Artists Rachel Rossin, Cecilia Salama for Store Installation

Melissa Shoes has mounted two artist installations within its SoHo store.
The Brazilian rubberized shoe company has teamed with Rachel Rossin and Cecilia Salama on special works on display through May.
Rossin’s video piece is played on massive pixelated screens that comprise the Melissa store lobby.
Salama installed an immersive experience inside a petite stand-alone room — surrounding shoppers with her conceptual, visualized play on themes like migration, eco-diversity, femininity and identity politics.
“Melissa presented me a lot of material on their new collection, called Mapping — a lot of it had to do with borders. I managed to relate this to a theme I use a lot in my work, which are butterflies. They possess both power and vulnerability — I started doing a lot of research about their migratory journey and learned they are one of the largest symbols of immigration right now,” the artist explained of her piece, titled “Danaus Plexippus.”
Salama’s work has a souvenir component — the installation offers a butterfly-shaped “seed bomb” to visitors. The tiny objects are inlaid with milk thistle seeds, and when planted, they grow to become a plant enjoyed by butterflies as a source of shelter and food.

Seed bombs 
joanna@totolici.com

For Melissa, the installations offer a dual

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Milan’s Via Montenapoleone Tops European Chart of Fashion Shopping Destinations

MILAN — It pays to be in Via Montenapoleone.
Milan’s tony street has been ranked first on the chart of the European fashion destinations compiled by the Global Blue tax-free shopping agency’s data. In the period spanning from December 2016 to November 2017, the average amount spent for the purchase of fashion goods in the street reached 1,809 euros, followed by 1,729 euros in Paris’ Avenue Montaigne and 1,602 euros registered in Calle de Ortega y Gasset in Madrid.
“I’m very proud of this result, as it proves the quality and attractiveness of the products offered in our luxury stores,” said Guglielmo Miani, president of the Montenapoleone District association on Tuesday. Under Miani’s eight-year tenure, the association expanded from representing 18 brands to 150 among fashion and accessories labels and five-star hotels in the area, which includes the nearby streets of Via Verri, Via Santo Spirito, Via Gesù, Via Borgospesso, Via Bagutta and Via Sant’Andrea along with Via Montenapoleone.
In particular, last year Chinese and Russian tourists were the most relevant and active in Milan’s luxury fashion district, as their presence grew 15 percent compared with 2016. The number of American tourists also increased 11 percent.
“In 2017, Milan attracted nine million tourists, up 20

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Browns Taps Central Saint Martins Design Student Conner Ives for Range of T-shirt Dresses

LONDON — Browns Fashion has always been known for taking chances on young talent: Founder Joan Burstein famously bought John Galliano’s entire graduate collection off the Central Saint Martins catwalk and helped to launch the careers of the young Hussein Chalayan and Manolo Blahnik, among others. Now, it’s hired CSM student Conner Ives to create a range of T-shirt dresses for the store.
Although the retailer may now have a different owner, branding, strategy — as well as an edgy new store called Browns East in east London — the store is staying true to its gutsy, independent-minded ethos.
“It’s the 2.0 version. I just want to really push Browns to the forefront and take it one step further because we have a bigger team now,” said women’s wear buying director Ida Petersson, who has been focusing on adopting a global perspective and introducing new talent from across the globe that’s often sourced via Instagram.
The latest name on her list is Conner Ives, an American-born, London-based young designer who may still be in the midst of finishing his design degree at Central Saint Martins, but who has already garnered attention, after sharing his designs on Instagram and scoring commissions from the likes

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